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Group Exhibition @ AVA Gallery curated by
Xanthe Scout Lardner-Burke


OFFCUTS



2024

(./you are supposed to be sad at a funeral).

Grid ii (unnamed)


The matter/ the material, simply put:  my object-based lexicon. We speak in collaboration with world; 
an adamancy to remain a part of it or to remind ourselves that we always are (we do not pretend otherwise). 
We share access and entry through our own relationships to these materials and their use. 
We point in many directions/we walk towards ourselves.




Installation shot

In thinking about how to start or orientate my art and practice, I feel it important to begin with my interest in the language of materials or material as language. Much of my practice makes use of the relationship materials hold within their own lives- in this I mean materials maintain their own uses/I refuse to hold materials too tightly. Making, this way, feels like a collaboration/ a “part” of this world (a consideration of here).

More pointedly, in looking at these materials - for me, bricks (and the brick related) speak directly to ideas of home, structure, and colonial protection. In turn, dust relates to the end of this world and the beginning of a new one (hopeful within the state of home in collapse). Wax feels grief stricken / feels like communication with the dead (objects defy time-lines in their entirely connected ways).

The works in OFFCUTS remain related to these interests / or at least these interests set the scene that this work emerges from. ^However, I decided to work with lighter materials - I prefer doing things alone and both the labour of carrying bricks and the space they take up, felt too dramatic for this exhibition. (I grow attached to certain phrases / questions - using lighter materials - felt related to my current: “Your house is known fire - what are you going to take ?”. Re-directing me towards materials that would be easy to carry under such circumstances - this time, I turned to plaster.

Grid iii (unnamed) on brick.
Here iii (unnamed) on brick. 
Objects (unnamed) on brick. 
Gift (unnamed) on brick.
*** Considering installations as bits and pieces coming together, meaning, each peice acts as its own note - and the sequence or curation is in a constant state of retranslation/retranformation. Build your own artwork (artworld)!!!!
hhhhh